Thursday, September 20, 2018

NNB - A Bigger Taste Of



Minneapolis record store geeks take matters into their own hands, leaving twenty minutes of wax for the ages. I saw them at a Soho loft No Wave fest as many of that movement's pioneers were passing into history. Original post has been augmented with an early hometown show. Check out YouTube NNB live @ Hurrah NYC 1981 here.

In The Studio
01 Slack 1978 4.03
02 New World 1978 2.04
03 Listen 1979 3.10
04 Uruguay-1983 1979 4.26
05 Well, Oh Well 1979 4.27
Slack b/w New World were released as Wave 7 single W7-100
Listen and Uruguay-1983 are from Twin-Tone 7907 - Big Hits Of Mid-America III
Well, Oh Well was one side of a No Magazine flexi, w/ Information and No Group on the flip

Live @ Jay's Longhorn - MPLS - July 11, 1978
01 Listen
02 Don't You
03 Nothing Can Harm Me
04 I Tried To Tell You
05 Friction (Television)
06 New World
07 Look Me Up
08 I Can't Control Myself
09 Slack
10 Uruguay 1983
11 Final Solution (Pere Ubu)
12 (crowd ruckus)
13 What Goes On (Velvet Undeground)
Sincere thanks to the original (Dime?) uploader, unknown to me at this point.

flexidisc rip / interweb downloads

Controlled Chaos 1965-76 - Blue Cheer on Steve Allen and Other Underground Artifacts - Absolutely Live

The original Blue Cheer's only live TV appearance? The songs themselves can be heard on Live And Unreleased Vol 1, but Steve Allen's questions, comments and jests give a look in as established show biz meets the new world order, represented here by practitioners so Neanderthal that red flags went up even in Haight-Ashbury. Allen cracks plenty of jokes at the band's expense, introducing them as "the source of the annoying hum", but seems genuinely curious as he counts amp heads and speaker cabinets, asking Leigh Stephens, "And what function does the Fuzz Face, uh... fulfill?" He's laughing with these fearsome creatures, in contrast to Tonight Show guest host Bob Newhart, who seems to regard The Byrds as nothing more than incompetent clowns. Considerably more subterranean are The Holy Modal Rounders at Detroit's Chess Mate coffeehouse in 1965, freak flags flying. Featured are several self-penned masterpieces years before their official release, the crowd roaring loudest for the most deranged of them - Indian War Whoop. Clearly these were different times. Television spat out a neurotic tangle of sixties folk punk free jazz psychedelia for the next generation and those to come. Ornette Coleman coming through a Rolling Stones barrage, as Mikal Gilmore put it. Cleveland was their first booking outside New York, arranged by Tim Wright and Peter Laughner of Pere Ubu. Razor sharp from recently completed Marquee Moon sessions, Television closed out 1976 with four nights at CBGB, moving to the Palladium for a New Year's Eve gala with John Cale and the Patti Smith Group. Below you will find Tom and the Fender Jaguar he fitted with Danelectro lipstick pickups to increase the scream. New improved 2018 update replaces many of the mp3 files with lossless.

Controlled Chaos 1965-76
Blue Cheer, The Byrds, Holy Modal Rounders, Moby Grape, David Blue, Television
Absolutely Live

01 Summertime Blues - Blue Cheer - Steve Allen Show 68-03-19
02 Out Of Focus - Blue Cheer - Steve Allen Show 68-03-19
03 Renaissance Faire - The Byrds - Tonight Show 1967
04 Lady Friend - The Byrds - Tonight Show 1967
05 Have You Seen Her Face? - The Byrds - Tonight Show 1967
06 Random Canyon - Holy Modal Rounders - Chess Mate, Detroit, 1965
07 Skin Game - Holy Modal Rounders - Chess Mate, Detroit, 1965
08 Indian War Whoop - Holy Modal Rounders - Chess Mate, Detroit, 1965
09 My Mind Capsized - Holy Modal Rounders - Chess Mate, Detroit, 1965
10 Black Eyed Suzy - Holy Modal Rounders - Chess Mate, Detroit, 1965
11 Rounder - Moby Grape - San Francisco 1967
12 Changes - Moby Grape - San Francisco 1967
13 These 23 Days In September - David Blue - Unicorn Coffee House, Boston 67-12-02
14 Double Exposure - Television - NYC 75
15 Hard On Love - Television - Picadilly Inn, Cleveland 75-07-25
16 Little Johnny Jewel - Television - CBGB, NYC 76-12-29
17 O Mi Amore - Television - CBGB, NYC 76-12-29
18 Adventure - Television - CBGB, NYC 76-12-29
19 Little Birds - The Band - Winterland, San Francisco 69-04-19

01-05 - prehistoric cassette
06-10 - Holy Modal Rounders Live In '65
11 - Vintage - The Very Best Of Moby Grape
12 - boot from The Rare Stuff, now here
13-18 - download

part 320vbr/part lossless

Victor Moscoso

Tuesday, September 11, 2018

Television - Arrow



I moved to New York in the spring of 1977, following a weekend jaunt which included a trip to CBGB for a first taste of live Television. Returning to Ohio, I spent a trial night in an apartment at The Plaza in Cleveland recently vacated by an aspiring Contortion. As I surveyed the frozen parking lot next morning to make sure my Studebaker was still there, I decided that if I was going to move someplace scary and bleak, I might as well think big. But by the time I got back to Manhattan, Richard Lloyd was in rehab in preparation for Television's European debut, so almost a year passed before I got the chance for a recharge. When show day finally came I hid my Nakamichi 550 in the bottom of a crumpled bag of thrift store shirts and set out for Long Island, where the expected fireworks ensued. A couple of years later a friend with a mail order record business (another big Television fan) suggested a bootleg of the big night. Most of them went to an exporter he worked with, but I would visit Bleecker Bob in the West Village a couple of times a week to sell to this notorious cheapskate, a pitiful few copies at a time. Although it was a steady seller in his shop, he refused to tie up working capital. He always complained about the cover, too. At some point, Neil Cooper of ROIR made a play for the cassette masters, advising my partner in crime that he intended to reissue with or without our cooperation. We eventually gave in, surprising Verlaine with a modest royalty payment the next time he came around to unload dispensables from his personal collection - like the L'Intrepide Bavon Marie Marie LP I took home. Whenever our little project is mentioned, there's always a disclaimer that the original vinyl boot sounds better than the Blow Up reissue. Well, we tried. Disc mastering was done at an upper crust Hollywood establishment when Lindsey Buckingham had finally run out of coke and gone home for the day, the metal stampers came from Europadisk, the first high-end facility of its kind in the US. I also rejected test pressings from three boroughs before I found a pressing plant in outer Jersey that could handle grooves narrowed by the twenty-five minutes per side running time. It was only as I was preparing this post that I discovered The Blow Up omits Poor Circulation, Arrow's rarest gem. 09/11/18 update - the posted files are now lossless. I've also added Little Johnny Jewel from another taper, free of the crude edit just before the end of Verlaine's solo, when I had to flip the cassette.

Television
Arrow (bootleg)
Double Exposure F-85 (1980)

01 Fire Engine 4.19
02 Poor Circulation 5.31
03 Little Johnny Jewel 14.44
04 Knockin' On Heaven's Door 8.07
05 Prove It 5.20
06 Friction 4.58
07 (I Can't Get No) Satisfaction 7.11
08 Little Johnny Jewel 15.24 [alternate source]

recorded live @ My Father's Place, Roslyn, Long Island, NY 3/20/78

lossless vinyl

Thursday, September 15, 2016

keletigui et ses tambourinis @ 45tours



Singles compilation featuring another of Guinea's wondrous state-sponsored authenticité outfits. Collection is now complete, adding another Franklin Boukaka 45 and the b-side of the Tambourinis' final single, a fitting farewell ballad. Enjoy.

keletigui et ses tambourinis
tambourinis @ 45tours
complete syliphone singles 1968-72

01 Soundiata 1968 5.51
02 Nosotros 1968 5.00
03 Famadenké 1968 3.58
04 Cigarettes Allumettes 1968 3.22
05 Kesso 1970 3.05
06 Chiquita 1970 3.04
07 I Boyein-Boyein 1970 3.41
08 Tambourinis Sax Parade 1970 4.46
09 Quinzan 1970 3.06
10 Il Tomatero 1970 4.02
11 Banankoro 1970 4.20
12 La Loma de Belen 1970 2.56
13 J.R.D.A. 1970 5.02
14 Guarjira Con Tumbao 1970 3.14
15 N'Nadia 1970 4.43
16 La Bicycletta 1970 5.14
17 Ilole Gbanina 1970 4.00
18 Tambourinis Cocktail 1970 4.28
19 Kiss My Noose 1970 2.46
20 Mi Corazon 1970 4.53
21 Munu Ngiedi (w/ Franklin Boukaka) 1970 3.02
22 Kitoko Mingi (w/ Franklin Boukaka) 1970 3.54
23 M'Bongi Eyi (w/ Franklin Boukaka) 1970 3.04
24 Tata Aleleti (w/ Franklin Boukaka) 1970 2.42
25 Donsoké 1972 4.04
26 Guanguanco a Todos Los Barrios 1972 4.38
27 Beni Yarabi 1972 4.21
28 Gerona Son 1972 3.49
29 Miri Magnin 1972 5.04
30 Marie 1972 4.30

from cd, vinyl and downloads

Wednesday, September 14, 2016

zaire: musiques urbaines à kinshasa



The tale of how a collection of Congolese thumb pianos provided the missing link between punk, techno and all points in between, has taken 25 years to tell. And like fellow music visionaries across the globe, the remarkable sound they created was forged in the most desperate of circumstances and in the harshest of places.
Konono No 1 emerged from the Angola/Congo border bush and relocated to Kinshasa, steeped in the traditional Bazombo trance music. They amassed a collection of differently pitched likembé (thumb pianos, or metal rods attached to resonators and pick-ups), plus pots, pans, cutlery, microphones adapted from car parts, whistles, massed vocals passed though megaphones and a massive sound system.
This remarkable, unique noise soon garnered a fanatical following at home. The DIY nature of their equipment provided an integral, distorted sound, a healthy hum seeping into every rhythmic pause. The combination of all these elements created something notably African in pace and texture, coincidentally nodding to Western electronica.
The likembé merge to provide a brutal, hypnotising beat, the cousin to The 13th Floor Elevators' electrified jug or John Cale's manic viola. The rapid intensity of rhythm matches the finest exponents of Krautrock, occasionally drifting close to the confused energy of Aphex Twin or Autechre, with the damaged tempo of Beefheart or Marc Ribot slithering in.
It could really be from anywhere, at any time; its rawness at odds with the slow fall towards slickness and a polished, homogenised sound so sought after these days. And like all the best music, it needs to be played loud, as loud as their legendary, dizzying live performances...
This music comes from somewhere unknown and offers hope that there are worlds of music out there, unexplored and waiting to be discovered.
- Dale Shaw BBC (UK)

zaire: musiques urbaines à kinshasa
ocora c559007 hm65 (1987)
Recorded live November 1978 Kinshasa

cd @320vbr
01 ORCHESTRE SANKAI Rythme Kuatankuaka 14.25
02 ORCHESTRE TOUT PUISSANT LIKEMBÉ KONONO No. 1 Mungua-Mungua 26.50
03 ORCHESTRE BAMBALA Animation Kifuti 9.25
04 ORCHESTRE BANA LUYA Animation Bana Luya 23.05

super-expanded dual-cassette set @192
01 ORCHESTRE BANA LUYA Animation Bana Luya 28'50
02 ORCHESTRE BAMBALA Animation Kifuti 28'33
03 ORCHESTRE SANKAI Kuata Nkuaka 28'16
04 ORCHESTRE T.P. LIKEMBE KONOKO (sic!) Mungua-Muanga 28'41
05 ORCHESTRE T.P. TULU LISANGA BANGANGA Animation (unnamed) 15'14 (extra track!)
(see Bolingo69's comment)

Monday, March 17, 2014

Tom Verlaine - Dave Bascombe Sessions 1986

Rejected by Fontana UK, which begat Flash Light. Loose and slightly goofy, many of these ended up as b-sides for Flash Light and The Wonder singles. The rough mixes of 'Sixteen Tulips' and 'One Time At Sundown' here end in breakdown instead of the usual fade, while 'Olive' has not circulated widely as far as I can tell. Although Flash Light is more literate and more focused, guitar rave-ups like 'Call Me The' can hold their own against bratty Yardbirds b-sides like 'The Nazz Are Blue' and 'Psycho Daisies'.

Tom Verlaine
Dave Bascombe Sessions 1986

01 Sixteen Tulips   5.01
02 Caveman-Flashlight   3.13
03 Anna   5.09
04 The Scientist Writes A Letter   5.23
05 Call Me The   3.39
06 Circling   2.33
07 Smoother Than Jones   3.30
08 Vanity Fair   5.58
09 Olive   4.03
10 One Time At Sundown   4.53

ZippyshareFLAC1
ZippyshareFLAC2

Wednesday, December 19, 2012

Faraquet Cincinnati 06/28/99 - Chokebore - Unwound - Phleg Camp - Pitch Fork - Tom Verlaine

01 Yo Yo
02 Whole Thing Over
03 Study In Movement
04 Um Die Ecke
05 Review
06 Call It Sane
07 Pretty (Without The R)
08 The Alaskas
09 Corpse Pose
10 Everything Is Weird
11 Twilight Pink
12 Hog Bottom
13 Thin Ice
14 Goat
15 Sinking
16 Clear It Away
17 Bomb

01-07 Faraquet live in Cincinnati 06-28-99
08 from Chokebore Black Black LP
09-10 Unwound 45
11-12 Phleg Camp 45
13-15 Pitch Fork Saturn Outhouse 45
16-17 Tom Verlaine live in Berlin 04-03-87

Future Noise